I auditioned to play with the local community orchestra today. I was really nervous, but felt quite prepared, in spite of never having played my piece straight through with no stopping in front of observers. I played the first movement of Rachmaninoff's Piano Concerto No. 4 in G minor. My teacher came with me and played the orchestral reduction accompaniment. He plays so beautifully. I always have to remind myself how lucky I am to be playing with him when I'm in the midst of a run-through. Although, I must admit, I think I am a more sensitive collaborator than he is (lol). Anyway, it was just the three of us in the room, me, my teacher, and the conductor. It went pretty well. I had one tiny fudge/pause but didn't stop outright, and was able to keep going and finish the piece. I played it better than I have ever played in front of an audience. He said he'd make his decision in mid-June. Then I came home and played it for a friend who stopped by (non-musician), and I kept thinking, "This is stupid; it would have been much more helpful to have played for her yesterday; this doesn't even count, since my audition is over." Wouldn't you know? I played it PERFECTLY that time. Not a single pause. Straight through with not a single hiccup. So here's the million dollar question: Why can't I ever play perfectly when it counts? Why, when it counts the most, can't I pull myself together?
I got to thinking that I started having these memory lapses when I was in high school and college. That was about the time that I started trying to follow my teachers' advice about learning music in small sections, rather than playing straight through again and again. Well, I had the brilliant idea that perhaps to play straight through again and again might be the missing link in my practicing. Maybe what I need is the complete train of thought. Maybe with my next piece, after I practice the thing in sections rehearsing each detail, I should demand that I play it straight through 5 times each day, with or without the music. I think it's worth a try. I think I'd have less memory trouble. I'm going to do it.
Friday, May 21, 2010
Never when it counts
Labels:
auditions,
Concerto 4,
memorization,
piano,
practice strategy,
Rachmaninoff
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All in all, it sounds like it went well! Of course we always play best when the pressure is gone, and we're playing for friends. But your strategy sounds like a good one--and the more you practice and perform from memory, the easier it will get.
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